Last year I shared this photo of Livvy at the Tate. Today it’s another shot from that, this time of Haiku’s boob. Obviously that’s the main attraction but I love that if you zoom in on this you see all three of us in the reflection.


Friends. Photography. Adventure.
Last year I shared this photo of Livvy at the Tate. Today it’s another shot from that, this time of Haiku’s boob. Obviously that’s the main attraction but I love that if you zoom in on this you see all three of us in the reflection.
It’s a grey old windy day here in London, so what better way to add a glow than with Ruth’s peachy behind!
For Throwback Thursday on light and shadow week I thought I would have a play with the photo I originally used here. I’m wanted to see what that arc of light and the glare of the setting sun looked like if it was a little darker. I like it. Not as much as the gorgeous golden glow of the original, but I still like it.
Week three of February Photo Fest already! Where does the time go?! We done flowers, we’ve done woods and water so now we are onto light and shadow. We love a bit of that don’t we?
Starting off with me at the seafront in Folkestone. I’m actually at the back of the archway, cave (what would you call it?!) where we took this photo and the sun is pitching in from above.
Today on my woods and water week I bring you the gorgeous My Wild Lens. This shot was taken during an outing we had late in 2021, preparing some shots for her 40th birthday.
I love how in this series of photos, which include this one and this one, it looks like she is being hugged by the roots of the tree.
Last August I was reunited with Tabitha after 2.5 years. We ate, we drank, we talked nineteen to the dozen. When we took a lazy paddle down the stream near her house the opportunity for naked photos was too good to miss. Here Daisy the dog wanted in on the action and photobombed the shot.
I’m not going too far back for this Throwback Thursday. This photo was first used during February Photo Fest in 2021. At the time I said I though this photo worked better in black and white and I think I might still believe that. But also, those greens of the wood!
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