“Photography is an art of observation. It has little to do with the things you see and everything to do with the way you see them.” Elliot Erwitt
Usually when I pop up on Wicked Wednesday it’s to respond to the prompt with some big thinky piece about relationships or bodies or something I need to get off my chest. Not so this week! But the prompt is ‘observe’ and as I’m halfway through a six week course at the Photographer’s Gallery that a few of you have I asked about I thought I would do a bit of a diary entry…
The Possibilities of the Photographic Body is a six week course led by Tom Lovelace. In case that link gets killed at some point in the future the blurb reads: “This workshop series examines contemporary approaches to the compelling and ever-present subject of the human body and how it is represented in photography. Using the body as a starting point, participants will explore contemporary photographic practice through a range of themed sessions including the digital body, performance, architecture and gendered forms.” Reading the programme there wasn’t a single week of the schedule that left me feeling ‘meh’ so without much more than a minute’s thought I’d signed up.
Anyone who follows me on Twitter will know that the cycle of my professional life is working like a dog for nine months of the year and flitting around during the summer enjoying photo adventures, gallery outings and lazy lunches. The summer months offer a welcome opportunity to recharge and I could never go back to 9-5 life but that doesn’t make the winter months, and in particular the slog up to Christmas when we’re churning out fundraising appeal films at a ludicrous rate, easy to cope with. As much as I hate to admit that age becomes a factor in our physical and mental resilience, I have noticed over the last couple of winters that 12 or even 15 hour days are not quite as easy to tolerate or bounce back from as they were even five years ago. Last winter I got sick and the viruses I picked up had me rundown until well into July.
This winter I resolved to take more care of myself. And taking care of myself means carving out time where I am not working. Working at home is great in numerous ways, but when you register no more than 100 or so steps in a day going bed to desk to sofa for a late night bowl of pasta and back to bed, via the kettle and bathroom a few times, it’s not so healthy. Fern’s fitness challenge where I’ve pledged to five bouts of exercise a week is one thing that’s making me break from work. This course is another. The very simple act of turning off my computer bang on 17.00 so I can be out of the house and in town by 18.30 makes me feel more in control of my ‘downing tools’ time than I have in years; it’s amazing how not needing to catch a train can make the end of the work day slide.
What a joy it is to sit and listen to an engaging and down to earth (no old school or patronising arty snootiness here!) course leader who really knows his shit talking enthusiastically about fascinating photographers. I have so many new names scribbled in my notebook that I just know that I am going to go down a rabbit hole of research during that twilight period between Christmas and New Year. In week one we visited and discussed Shot in Soho, in week two we took our own shots in the streets of Soho and this week we used the gallery as our playground.
Our group is made up of professional photographers, Masters students, a curator, a gallery agent, an academic and a drag queen from Brazil. We have an opportunity to share our work with the group and this week we saw a work in progress that is about the expression of chronic pain, a stunning series that explores a genetic flaw and political commentary through cabaret. It’s so fascinating! I can’t wait to see more of the work next week. I also talked about Exposing40 and shared some of my favourite photos from the last five years. It was particularly fun sharing this image; this friend and I have visited the Photographer’s Gallery more times than I can remember over the quarter of a century since we met at Uni and I honestly never thought I would be stood up there talking about a photo I had taken of her.
What I am loving most about this mini adventure is that it is completely without agenda or expectation. There is no set homework, there’s no exam at the end, no investment beyond the time and initial fee. I am not planning a career change. I have no intention of making Exposing40 anything more than the fun hobby project it currently is. I don’t want do anything more technical than use my iPhone or my small camera on auto setting. I am not doing it for any reason other than it’s interesting. It is just time spent with talented people and learning for the pure pleasure of it and that feels like a real luxury at this time of year.